BIOGRAPHY
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• Born in New York City
• Bachelor of Fine Arts, Yale University, New Haven, CT
• Bachelor of Arts, Brooklyn College, NY
• Born and lives in New York, NY
SELECTED SOLO EXHIBITIONS
2012
• Ariadne's Thread, Nicole Klagsbrun, New York, NY
2011
• Ariadne's Thread, Shoshana Wayne Gallery, Los Angeles, CA
2007
• Pattern Recognition, Nicole Klagsbrun Gallery
2006
• Glossed in Translation, Shoshana Wayne Gallery, Los Angeles, CA
2004
• After Babel, Nicole Klagsbrun Gallery, New York, NY
2003
• madam I'm adam, Isabella Stewart Gardner Museum, Boston, MA (CD Rom project)
2002
• Madam, I'm Adam, Shoshana Wayne Gallery, Santa Monica, CA
2000
• At Home & in the World, Palais des Beaux-Arts, Brussels, Belgium. Travels to Tel Aviv Museum, Israel, July 2001
1999
• Projects 67: Elaine Reichek, The Museum of Modern Art, New York, NY
• When This You See, Nicole Klagsbrun Gallery, New York, NY
1996
• Guests of the Nation, Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, PA, Travels to Van Every Smith
• Gallery, Davidson College, Davidson, NC
1995
• Form Security Administration, Michael Klein Gallery, New York, NY
1994
• A Postcolonial Kinderhood, The Jewish Museum, New York, NY; Travels to San Francisco Museum of Jewish Art,SF, CA; Wexner Center for the Visual Arts, Columbus, OH
• Model Homes, Stichting De Appel, Amsterdam, Holland
1993
• Home Rule, Irish Museum of Modern Art, Dublin, Ireland; Orchard Gallery, Derry, Northern Ireland
• Sign Language, Norton Gallery of Art, West Palm Beach, FL
1992
• Elaine Reichek: Tierra del Fuego, Akron Art Museum, Akron, OH
• Elaine Reichek: Native Intelligence, Grey Art Gallery, New York University, New York, NY; Greenville County
• Museum of Art, Greenville, SC; Cleveland Center for Contemporary Art, Cleveland, OH; Western Gallery, Western Washington State University, Bellingham, WA
1990
• Braunstein Quay Gallery, San Francisco, CA
1989
• Fatal Passage, Everson Museum of Art, Syracuse, NY
1988
• Desert Song, Barbara Braathen Gallery, New York, NY
• Revenge of the Coconuts: A Curiosity Room, 56 Bleecker Street Gallery, New York, NY
1987
• Philadelphia College of Art and Design, Philadelphia, PA
• Transfigurations, Carlo Lamagna Gallery, New York, NY
1986
• Investigations 19: Elaine Reichek, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, PA
1985
• Houses, Snug Harbor Museum, Staten Island, NY (with Vito Acconci and Ira Joel Haber)
• Center on Contemporary Art, Seattle, WA
1982
• Concord Gallery, New York, NY
1980
• Lois I. Clifford Gallery, Pittsburgh Center for the Arts, Pittsburgh, PA
• Brownson Art Gallery, Manhattanville College, Purchase, NY
1979
• Special Projects: Artist's Bedroom, Institute for Art and Urban Resources, P.S. 1, Long Island City, NY
1978
• Parsons Dreyfuss Gallery, New York, NY
SELECTED GROUP EXHIBITIONS
2012
• *The Imminence of Poetics, 20th Sao Paulo Biennial, Sao Paulo, Brazil, Curated by Luis Perez-Oramas
• *Whitney Biennial 2012 , Whitney Museum of American Art, New York, NY, Curated by Elizabeth Sussman and Jay Sanders
• Points of View: Twenty Years of Artists-in-Residence , Isabella Stewart Gardner Museum, Boston, MA
2011
• Body Gesture , Elizabeth Leach Gallery, Portland, OR
• The Unseen Eye: Photography from the W.M. Hunt Collection, The Geirge Eastman House, Rochester, NY
• *Cheongju International Craft Bienniale 2011, Cheongju, Korea
2010
• The Collaborative Print: Works from SOLO Impression, National Museum of Women in the Arts, Washington, D.C.
• Fascimile, Girl's Club, Ft. Lauderdale, FL
• "Huiselijkheid ["Domesticity"], Roger Raveel Museum, Machelen-Zulte, Belgium
• *Americanana, The Bertha & Karl Leubsdorf Art Gallery, Hunter College, New York, NY, curated by Katy Siegel
• Material/Immaterial, Shoshana Wayne Gallery, Los Angeles, CA
• A Stitch in Jewish Time: Provocative Textiles, Hebrew Union College Museum, New York, NY
• Shifting the Gaze: Painting and Feminism, The Jewish Museum, New York, NY
• A Torrent of Words, John Michael Kohler Arts Center, Sheboygan, WI
2009
• That's What She Said, KWH Art, Kelly Writers House, University of Pennsylvania, Philadelphia, PA
• Knitted Worlds, Audax Textile Museum, Tilburg, The Netherlands, Curated by Suzan Russler
2008
• Permanently MAD: Revealing the Collection, Museum of Arts and Design, New York
• Part II: A.I.R. Gallery: The History Show, work by A.I.R. artists from 1972 to the present, A.I.R. Gallery, Brooklyn, NY, Curated by Kat Griefen and Dena Muller
• Pixelated, Winston Wachter Gallery, New York, NY
• The Fabric of Myths, Compton Verney, Warwickshire, UK
• New Prints: Spring 2008, International Print Center New York, New York, NY, Selected by Jane Hammond
2007
• Pricked: Extreme Embroidery, Museum of Arts and Design, New York, NY
• Jackson, Contemporary Art Galleries, University of Connecticut, Curated by Barry Rosenberg
• New York States of Mind, House of World Cultures, Berlin, Curated by Shaheen Merali, travels to: Queens Museum of Art, Queens, NY
• What is Painting? Contemporary Art from the Collection, Museum of Modern Art, New York, NY
• What F Word?, Cynthia Broan Gallery, New York, NY, Curated by Carol Cole Levin
• Spectral Evidence, Rotunda Gallery, Brooklyn NY, Curated by Steven Lam
• *Gender Stitchery, Carleton College Art Gallery, Northfield, MN
2006
• The Bong Show or This is Not a Pipe, Leslie Tonkonow Artworks + Projects, New York, NY, Curated by Beverly Semmes
• Hot Off the Press: Prints of 2006 from New York Printshops, The Grolier Club, New York NY, Curated by Janice Carlson Oresman
• Material Culture: The Fine Art of Textiles, Salt Lake Art Center, Salt Lake City, UT
• The Workmanship of Risk, The Richard F. Brush Art Gallery and Permanent Collection, St. Lawrence University, Canton, NY
• Threads of Memory, Dorsky Gallery Curatorial Programs, New York, NY, Curated by Margaret Mathews-Berenson
2005
• The American West, Compton Verney, Warwickshire, UK
• Upstarts and Matriarchs: Jewish-American Women Artists and the Transformation of American Art', Mizel Arts Center, Denver, CO
2004
• fitter happier: an exhibition concerning technology, DePaul University Art Museum, Chicago, IL
2003
• Influence, Anxiety and Gratitude, List Visual Arts Center- Massachusetts Institute of Technology, Cambridge, MA
• Migrating Motifs, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
• Mind Over Matter, Museum of Fine Arts, Museum of New Mexico, NM
2002
• Boundless/Silence, DC Moore Gallery, New York, NY, curated by Edward De Luca
• Objects of Desire: Art as Design; Design as Art, Barbara Toll Fine Arts court.Jan Abrams Fine Arts, New York, NY
• Collecting Contemporary Art: A Community Dialogue, Ackland Art Museum, The University of North Carolina at Chapel Hill, Chapel Hill
2001
• Painted with Thread: The Art of American Embroidery, Peabody Essex Museum, Salem, MA
• House Guests: Contemporary Artists in The Grange, Art Gallery of Ontario, Toronto, Canada (catalogue)
• Alterations, James Graham and Sons, New York, NY
2000
• The Likeness of Being: Contemporary Self Portraits by Sixty Women, DC Moore Gallery, New York, NY
• Remnants of Memory, Asheville Art Museum, Asheville, NC
• Déjà-vu: Re-working the Past, Katonah Museum of Art, Katonah, NY
1999
• Other Narratives, Contemporary Arts Museum, Houston, TX
• Referencing the Past: Six Contemporary Artists, Addison Gallery of American Art, Phillips Academy, Andover, MA
1998
• Loose Threads, Serpentine Gallery, London, England
• Ethno-Antics, Nordiska Museet, Stockholm, Sweden
1997
• Art on the Edge of Fashion, Arizona State University Art Museum, Arizona State University, Tempe, AZ; Cranbrook
• Art Museum, Bloomfield Hills, Mich.
1996
• Too Jewish, The Jewish Museum, New York, NY; Jewish Museum, and tour
• Labor of Love, New Museum of Contemporary Art, New York, NY
• Embedded Metaphor, ICI touring exhibition
• Making Pictures: Women and Photography, 1975-Now, Nicole Klagsbrun Gallery, New York, NY; Bernard Toale Gallery, Boston, MA
1995
• Division of Labor: Women's Work in ContemporaryArt, Bronx Museum of the Arts, Bronx, NY; Los Angeles County Museum of Art, Los Angeles, CA
• Kunst Kabinett, Center on Contemporary Art, Seattle, WA
• Laughter Ten Years After, Cecile and Ezra Zilkha Gallery, Wesleyan University, Middletown, CT; Beaver College Art Gallery, Glenside, PA
• Zimmerdenkmäler, Museum Bochum, Bochum, Germany
1994
• The Reading Room: Consider the Lilies, Ruskin School of Art, Oxford University, Oxford,UK
• Localities of Desire: Contemporary Art in an International World, Museum of Contemporary Art, Sydney, Australia
1993
• American Art Today: Clothing as Metaphor, ICI touring exhibition
• Today, Nederlands Textielmuseum, Tilburg, Holland; Konstindustriemuseet, Helsinki, Finland
• Spoleto Festival, Spoleto, Italy
• Ciphers of Identity, Fine Arts Gallery, University of Maryland/Baltimore County, Catonsville,MD
• Kurswechsel, Michael Klein, Inc., at Transart Exhibitions, Cologne, Germany
• The Return of the Cadavre Exquis, Drawing Center, New York, NY; touring exhibition
1992
• Dark Decor, ICI touring exhibition
1991
• Site Seeing: Travel and Tourism in Contemporary Art, Whitney Museum of American Art, Downtown at Federal Plaza, New York, NY
• Inherent Vice, Center for Photography, Woodstock, NY
• The Subversive Stitch, Simon Watson, New York, NY
• The Interrupted Life, New Museum of Contemporary Art, New York, NY
• Constructing Images: Synapse between Photography and Sculpture, Lieberman & Saul Gallery, New York, NY; touring exhibition
• Constructions of Meaning, University Galleries, Illinois State University, Normal, IL
1990
• Cultural Artifacts, Ehlers Caudill Gallery, Chicago, IL
• Exoticism, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT
1989
• Photocollage/Photomontage: The Changing Picture, 1920-89, Jan Turner Gallery, Los Angeles, CA
• Explorations, Staller Center Art Gallery, State University of New York, Stony Brook, NY
1988
• Just Like a Woman, Greenville County Museum of Art, Greenville, SC
• Frontiers in Fiber: The Americans, Metropolitan Museum of Art, Manila, Philippines; touring
1987
• Art on Paper, Weatherspoon Art Gallery, University of North Carolina, Greensboro, NC
1986
• Connections, Three Rivers Arts Festival, Pittsburgh, PA
1985
• New York Art Now: Correspondences, La Forêt Museum, Tokyo, Japan; Tochigi Prefectural Museum of Fine Arts, Tochigi, Japan; Tazaki Hall Espace Media, Kobe, Japan
1984
• Neue Stofflichkeit, Frauen Museum, Bonn, West Germany
1983
• C.A.P.S. Fellowships Recipients Graphics Exhibition, F.I.T. Gallery, New York, NY
• Day in, Day Out, Freedman Gallery, Albright College, Reading, PA
1982
• Women Sculptors' Drawings, Max Hutchinson Gallery, New York, NY
1981
• Lund Konsthalle, Lund, Sweden
• Home Work: The Domestic Environment Reflected in the Work of Contemporary Women Artists, and tour
1980
• U.S.A. Women Artists, Museo de Arte Contemporanea, São Paulo, Brazil
1978
• Ten Cases on Eighth Avenue, Artists Space with New York City Department of Transportation, New York, NY
• Out of the House, Whitney Museum of American Art, Downtown at Federal Plaza, New York, NY
• New York Collection, Albright-Knox Art Gallery, Buffalo, NY
SELECTED BIBLIOGRAPHY
2011
• *Chung, Joonmo, ed Cheongju International Craft Biennale 2011, Volume 1 Contemporary Craft , NOW & HERE, Cheongju, Korea: Cheongju International Craft Biennale 2011, pp. 416-417, 496
• Valentine, Christina, "Unraveling Ariadne's Thread: Works by Elaine Reichek," Special Projects Blog , May 15
•
Wagley, Catherine, "Ariadne's Thread," LA Expanded: Notes from the West Coast Blog, www.dailyserving.com, April 8
2010
•
Auther, Elissa, "String, Felt, Thread: The Hierarchy of Art and Craft in American Art," University of Minnesota Press, pp. 163, 164, 166, 197
• Cotter, Holland, "Americanana," The New York Times , December 3
• *Lagnado, Caroline, "Interview with Elaine Reichek," Americanana, New York: Hunter College
• Rosenberg, Karen, "A Raucous Reflection on Identity: Jewish and Feminine," The New York Times , September 10
2009
• Liss, Andrea, "Feminist Art and the Maternal," University of Minnesota Press
• *"In Stitches," Leila Taghinia-Malinia Heller Gallery, New York, NY
2008
• Auricchio, Laura, "Pricked: Extreme Embroidery," Art Papers, March-April
• DiNoto, Andrea, "Pricked: Extreme Embroidery," American Craft, February-March
2007
• Di Marzo, Cindi, "Extreme Embroidery: Art and Craft Meet on the Verge," Studio International, December
• Rosenberg, Karen, "Needling More Than the Feminist Consciousness," The New York Times, December 28
• "Pricked: Extreme Embroidery", The New Yorker, December 3
• Smith, Roberta, "Elaine Reichek: Pattern Recognition," The New York Times, November 23
• Baker, R.C., "Best in Show: Elaine Reichek," The Village Voice, November 21
• Camhi, Leslie, "Let's Get Stitched," The Village Voice, November 20
• Thurman, Judith, "The Artistic Life: Stitches in Time" The New Yorker, October 29
• Saltz, Jerry , "Back From the Brink: MoMA relives painting's postwar near-death experience" New York Magazine, September 17
• Kunitz, Daniel, "Step 1: Buy Paint. Step 2: ?," The New York Sun, July 12
• McCormick, Carlo, "The Bong Show: New York Artists Hit the Pipe," High Times, April
• Cotter, Holland, "Art in Review: What F Word? ," The New York Times, March 9
• Cotter, Holland, "Art in Review: Spectral Evidence ," The New York Times, February 23
• Nikolopolous, Stephanie, "The Bong Show" Gothamist.com, January
• Miller et. al, American Art, London: Laurence King Publishing (Forthcoming)
2006
• Brooks, Amra, "Must See Art: Elaine Reichek, Glossed in Translation," LA Weekly, December 6
• Fehr, Kindra, "Living in a Material World: A Tapestry of Fiber Art," 15 Bytes (ezine on www.artistsofutah.org), July
• Griggs, Brandon, "Exhibition Hangs Convention by a Thread," The Salt Lake Tribune, June 24
• Landi, Ann, "Reviews: 'Threads of Memory'," ARTNews, May
2005
• Contemporary Art and Anthropology, Edited by Arnd Schneider and Christopher Wright, p. 45
• Durham, Jimmie; Fisher, Jean; Hill, Richard William, "The American West," Compton Verney, exhibition catalogue
• Hemmings, Jessica, "do the write thing," Embroidery, May/June 2005, p. 16.
• Harris, Susan, "Elaine Reichek at Nicole Klagsbrun," Art In America, January
2004
• Berger, Maurice; Rosenbaum, Joan; "Masterworks of The Jewish Museum", Yale University Press, New Haven and
• London, Section on the exhibition A Post Colonial Kinderhood, pgs. 30, 240, 241, 242
• Schwendener, Martha, "Reviews: Elaine Reichek, Nicole Klagsbrun," Artforum, November, pg. 226
• Jana, Reena, "Reviews: Elaine Reichek: Nicole Klagsbrun," Artnews, October, p190
• Frankel, David, "Stitchellated Pics," Aperture 175, Summer, pp. 34-39
• Cotter, Holland, "Elaine Reichek', The New York Times, Friday - Art in Review, June 11
• Auther, Elissa, "The Decorative Abstraction, and the Hierarchy of Art and Craft in the Art Criticism of Clement Greenberg," Oxford Art Journal, March 27
• Hoffman, Michael E., "Outside the Ordinary: A Tribute in Pictures", Aperture, p. 56
2003
• Lesperance, Ellen, "Knitting As Fine Art", Vogue Knitting, Fall 2003
2002
• Reichek, Elaine, Contribution to: "Stitch and Pixel: 21st Century Voices on Renaissance Tapestries at the Met," Tate: International Arts and Culture, Issue One, September/October
• Myers, Holly, "Stitches of life and philosophy," Los Angeles Times, E30, November 29
• Hann, Joelle, "Elaine Reichek + Joelle Hann," Artkrush.com, October 1, 2002
2001
• Milroy, Sarah, "At Home on the Grange," The Boston Globe, September 15
• Auricchio, Laura, "Works in Translation: Ghada Amer's Hybrid Pleasures," Art Journal Winter
2000
• Batchelder, Anne. Remnants of Memory. Exh. cat. Asheville, NC: Asheville Art Museum.
• Bloemink, Barbara. Déjà-vu: Re-working the Past. Exh. cat., Katonah Museum of Art, NY.
• Cooke, Lynn. At Home and in the World. Exh. cat. Brussels: Palais des Beaux Arts.
• Frankel, David. "When This You See…" New York: George Braziller.
• Nicol, Michelle. "The Now Idea: Embroidery." Parkett, Fall, p. 202-205.
• Withers, Rachel. "Preview." Artforum, May, p. 68
1999
• Arning, Bill "Elaine Reichek's Rewoven Histories." Art in America, March, pp. 90-95.
• Bourbon, Matthew. "Elaine Reichek: Nicole Klagsbrun Gallery." New York Arts Magazine, February.
1999
• Camhi, Leslie. "Stitchcraft." Village Voice, 23 February, p. 134.
• Cotter, Holland. "New Samplers That Give Old Pieties the Needle." New York Times, 5 March, p. E48.
• Friis-Hansen, Dana. Other Narratives. Exh. cat. Houston, TX: Contemporary Arts Museum.
• Handler, Beth. "New Exhibitions." MoMA Magazine, February, p. 38.
• "Projects 67: Elaine Reichek." Exh. brochure. New York: The Museum of Modern Art.
• Pollack, Barbara. "New York Reviews: Elaine Reichek." Art News, May, p. 165.
• Reichek, Elaine. "Endurance: A Project by Elaine Reichek." New York Arts, Nov,
• Schwendener, Martha. "Projects 67: "Elaine Reichek." Time Out New York, 18-25 March, p. 63.
• Sundell, Margaret. "Elaine Reichek: Museum of Modern Art/Nicole Klagsbrun Gallery." Artforum, Summer, p. 155.
1998
• Cooke, Lynne. Arkipelag: Ethno-Antics. Exh. cat. Stockholm, Sweden: Nordiska Museet.
• Cork, Richard. "Saying It with Thread." The Times (London), 1 September, p. 14.
• Corrin, Lisa. Loose Threads. Exh. cat. London: Serpentine Gallery.
• Ghelerter, Donna, and Ingrid Schaffner. "Cross Sampling: Elaine Reichek's Needlework." Pink 2, no. 7, Spring.
1997
• De Salvo, Donna, and Annetta Massie. Apocalyptic Wallpaper. Exh. cat. Columbus, OH: Wexner Center for the Arts.
• Lineberry, Heather. Art on the Edge of Fashion. Exh. cat. Tempe, AZ: Arizona State University Art Museum.
• McKenna, Kristine. "'Too Jewish?' Hardly." Los Angeles Times, 2 February, pp. 5, 83.
• St. Sauveur, Michelle de. "Embedded Metaphor." New Art Examiner, March, p. 43.
• Isaak, Jo Anna, and Dan O'Connell. Guests of the Nation. Exh. brochure. Philadelphia: Rosenwald-Wolf Gallery, University of the Arts.
• Kimmelman, Michael. "Too Jewish? Jewish Artists Ponder." New York Times, 8 March, p. C29.
• Kleeblatt, Norman, et al. Too Jewish. Exh. cat. New York: The Jewish Museum.
• Ockman, Carol. "Too Jewish? Jewish Museum." Artforum, September.
• Schneider, Arnd. "Uneasy Relationships: Contemporary Artists and Anthropology." Journal of Material Culture, JulyTucker, Marcia. Labor of Love. Exh. cat. New York: New Museum of Contemporary Art.
1995
• Isaak, Jo Anna, Jeanne Silverthorne, and Marcia Tucker. Laughter Ten Years After. Exh. cat. Geneva, NY: Hobart and William Smith Colleges Press.
• Massie, Annetta. Postcolonial Kinderhood. Exh. brochure. Columbus, OH: Wexner Center for the Arts.
• "People and Ideas: All the Nude That's Fit to Print: Elaine Reichek and the New York Times." Aperture, Winter, p. 68.
• Reichek, Elaine. "Artist's Page." Art Journal, Spring, pp. 12-13.
• Rimanelli, David. "Elaine Reichek." New Yorker, 22 May, p. 19.
• Von Uslar, Rafael, and Irmtrud Wojak. Zimmerdenkmäler. Exh. cat. Essen, Germany: Klartext.
• Yee, Lydia. Division of Labor: Women's Work in Contemporary Art. Exh. cat. Bronx, NY: Bronx Museum of the Arts.
1994
• Aukeman, Anastasia. "Elaine Reichek, The Jewish Museum." Art News, Summer, pp. 179-80.
• Bhabha, Homi K. Model Homes. Exh. cat. Amsterdam: Stichting De Appel.
• Cotter, Holland. "Review/Art." New York Times, 24 June, p. C14.
• Glueck, Grace. "Consumerama's Seductive Styling: Postcolonial Kinderhood." New York Observer, 21 March.
• Levin, Kim. "Choices." Village Voice, 16 August, p. 65.
• Mahoney, Robert. "Elaine Reichek: Assimilation in America." Fiberarts, Sept/Oct, pp. 57, 61.
• Morgan, Anne Barclay. "Elaine Reichek: Sign Language." Art Papers, July/August, pp. 46-47.
• Schwabsky, Barry. "Elaine Reichek: Jewish Museum." Artforum, October, p. 104.
• Slesin, Suzanne. "Perils of a Nice Jewish Girl in a Colonial Bedroom." New York Times, 17 February, pp. C1, C6.
• Whittemore, Emily. Postcolonial Kinderhood. Exh. brochure. New York: The Jewish Museum.
1993
• Bell, Desmond. "Elaine Reichek: Irish Museum of Modern Art." Circa, Fall.
• Berger, Maurice. Ciphers of Identity. Exh. cat. Catonsville, MD: Fine Arts Gallery, University of Maryland.
• "Elaine Reichek." New York Magazine, 1 February.
• Engel, Laura, and Elaine Reichek. "Commentary: Mother/Daughter Dresses." Fiberarts, November/December, p. 9.
• Friedman, Ann. "Elaine Reichek." New Art Examiner, May, p. 51.
• Lichtenstein, Therese. "An Interview with Elaine Reichek." Journal of Contemporary Art, Winter, pp. 92-107.
• Mensing, Margo. "Elaine Reichek: Native Intelligence." Art Papers, March, pp. 55-56.
• Silverthorne, Jeanne. Home Rule. Exh. cat. Dublin: Irish Museum of Modern Art.
• Viso, Olga. Sign Language. Exh. brochure. West Palm Beach, Fla.: Norton Gallery of Art.
1992
• "Art." The New Yorker, 13 April, p. 12.
• Avgikos, Jan. "Elaine Reichek, Grey Art Gallery." Artforum, September, p. 96.
• Cirincione, Janine, and Tina Potter. Dark Decor. Exh. cat. New York: Independent Curators, Inc.
• Durham, Jimmy, and Thomas McEvilley. Elaine Reichek: Native Intelligence. Exh. cat. New York: Grey Art Gallery, New York University.
• Hagen, Charles. "How American Indians Are Seen by the Nation." New York Times, 8 May, p. C24.
• Hess, Elizabeth. "Difficult Pleasures." Village Voice, 21 April, p. 93.
• Isaak, Jo Anna. "Who's 'We,' White Man?" Parkett, no. 34 (Fall): 142-51.
• Princenthal, Nancy. "Elaine Reichek's 'Native Intelligence." Print Collectors' Newsletter, July/August, pp. 94-95.
• Reichek, Elaine. Artist's Statement. Exh. guide. New York: Grey Art Gallery, New York University.
• "Elaine Reichek." Tema Celeste, Fall, p. 71.
• "Red Delicious." Aperture Magazine, Fall, p. 51.
• Tannenbaum, Barbara. Elaine Reichek: Tierra del Fuego. Exh. cat. Akron, OH: Akron Art Museum.
1991
• Lee, Pamela. Site Seeing: Travel and Tourism in Contemporary Art. Exh.Cat. New York: Whitney Museum of American Art, Downtown at Federal Plaza, 1991.
• Levy, Jan Heller, ed. The Interrupted Life. Exh.Cat. New York: New Museum of Contemporary Art.
• Schaffner, Ingrid. Constructing Images: Synapse between Photography and Sculpture. Exh. Cat. New York: Lieberman & Saul Gallery.
• Smith, Roberta. "The Subversive Stitch," The New York Times, 12 July, p.C23.
1990
• Hapgood, Susan. "Elaine Reichek." Art in America, June, pp. 176-77.
• Haus, Mary. "Elaine Reichek." Art News, September.
• Morgan, Susan. "Colonialism." Aperture, Spring, cover, pp. 26-31.
1989
• "Art." The New Yorker, 17 April.
• Adams, Brooks. "Elaine Reichek." Art in America, July, p. 132.
• Levin, Kim. "Elaine Reichek." Village Voice, 25 April.
• Miller, Charles V. "Domestic Science." Artforum, March, cover, pp. 117-20.
• Nahas, Dominique. Elaine Reichek. Exh. cat. Syracuse, NY: Everson Museum of Art.
1988
• Levin, Kim. "Elaine Reichek." Village Voice, 14 June, p. 52.
1987
• Handy, Ellen. "Elaine Reichek." Arts Magazine, May.
• Indiana, Gary. "Short Memory: Elaine Reichek's Aboriginal Images." VillageVoice, 17 February, p. 95.
• Levin, Kim. "Elaine Reichek." Village Voice, 17 February.
• Princenthal, Nancy. "Elaine Reichek at Carlo Lamagna and A.I.R." Art in America, July, p. 129.
1986
• Bohn, Donald Chant. "Investigations 1986." New Art Examiner, October.
• Liebmann, Lisa. Investigations 19: Elaine Reichek. Exh. cat. Philadelphia: Institute of Contemporary Art, University of Pennsylvania.
1985
• Chambers, Karen S. "Exhibitions—New York: Elaine Reichek." Craft International, April/May/June, p. 37.
• Medvedow, Jill. Nancy Spero and Elaine Reichek. Exh. cat. Seattle: Seattle Center on Contemporary Art.
• Phillips, Patricia C. "Elaine Reichek." Artforum, May, p. 105.
1984
• Hansen, Britta, and Marion Helbing-Mucke. Neue Stofflichkeit. Exh. cat. Bonn, Germany: Frauen Museum.
1983
• Levin, Kim. "Elaine Reichek." Flash Art, January/February, p. 65.
• Moufarrege, Nicolas. "X Equals Zero, as in Tic-Tac-Toe." Arts Magazine, February, pp.116-21.
• Wooster, Ann Sargent. "Elaine Reichek at Concord." Art in America, March, pp. 161-62.
1982
• Levin, Kim. "Elaine Reichek." Village Voice, 2 November.
1981
• Fleming, Lee. "Structure/Narrative/Decoration." New Art Examiner, January.
• Levin, Kim, and Ann Sargent Wooster. "Elaine Reichek." Village Voice, 4 February.
• Rice, Shelley. "Elaine Reichek, A.I.R. Gallery." Artforum, April, pp. 71-72.
• Robins, Corinne. "Verbal Image/Written Object: Connection as Meaning in the Work of Elaine Reichek." Arts Magazine, February, pp. 95-97.
1980
• Apgar, Evelyn. Elaine Reichek. Exh. cat. New Brunswick, N.J.: Douglass College Art Gallery, Walters Hall.
• Thompson, Mary Lee. Elaine Reichek. Exh. cat. Purchase, NY: Brownson Art Gallery, Manhattanville College.
1979
• Dallier, Aline. "La Couture et la broderie dans l'art contemporain." Bulletin des Arts Plastiques, October.
1978
• Marter, Joan. "Elaine Reichek." Arts Magazine, January, p. 7.
Artist's Writing and SPECIAL PROJECTS
2008
• "Spider's Stratagem," [On Louise Bourgeois], Art in America, September
2007
• Included in Feminist Art Base, Brooklyn Museum Elizabeth A. Sackler Center for Feminist Art
• Solo Impressions, "Collections for Collectors," Spring/Fall editions
• Artist in Residence, Collaborative Film Workshop/Installation, Texas A & M University, College Station, TX
2003
• madamimadam, virtual exhibition produced in conjunction with the Isabella Stewart Gardner Museum, Boston, MA, (http://gardnermuseum.com/2003_exhibitions/madamimadam_ex.asp)
Artist's Site
